The Irish Workhouse Museum

Two original items from Portumna workhouse, one is a child's shoe & the other a man's boo t. At the Irish Workhouse Museum we are delighted to have several specimens of pauper shoes. However shoes were viewed as a troublesome topic by workhouse management. Some workhouses ordered boot parts and had the paupers assemble them. Others bought them in ready made. Whomever supplied the shoes, it is clear that covering the feet of the poor was not a priority. In Co. Galway alone, six of the ten workhouses were in dispute with the Poor Law Commissioners in England over shoe and stocking provision. The result was newspaper descriptions like the one below: stockingless and  h is feet   were scarcely protected by wretched old shoes   (The Nation-Saturday July 30, 1864) The old pauper described in this article was alleged to be suffering from exposure due to his treatment at Portumna workhouse. A mere six months later, Rev. P. Donalan R.C.C. alleged two women nam...

-The Finnish Famine-    An Interview with Dr. Andrew Newby on his current exhibition at The Irish Workhouse Centre How did this exhibition come about? In 2012 I was pleased to receive an Academy of Finland Award to work on a five year project to compare the Irish and Finnish famines. This exhibition came out of that project. It travelled to Ireland to be displayed in The National Famine Museum at Strokestown but then migrated to the National University of Ireland, Galway. Just when I thought the exhibition had to return to Finland, I was delighted when the opportunity arose for it to be displayed at The Irish Workhouse Centre. How did you get involved in researching the Finnish Famine? I first heard about the Finnish Famine in 1997 from a Finnish Student. Being Irish and specifically a Mayo man, the topic of famine struck a chord with me. The fact that 1997 was the anniversary of Black ‘47 meant that famine research was already on the radar. I visited Fin...

Deаr Diаry: December 1st 18 50 by Bernadette Murphy Horrible! Horrible! I lost аnother tooth lаst night. Thаt’s the fifth one now. So my two front teeth аre gone. No more smiling for me. Not thаt I hаve much to smile аbout here аnywаy. Everywhere is gloomy. I hаven’t heаrd lаughter since I got here. I hаven’t heаrd singing either. Whаt bothers me most аbout my teeth is thаt I sort of whistle when I tаlk аnd some of the others teаse me аnd mаke а hissing noise when I speаk. I feel so аshаmed. My biggest feаr is thаt I will lose аll my teeth like poor old Gertie in the infirmаry. I’m glаd the food I get doesn’t need to be chewed. Thin stirаbout аnd soup every dаy or ” slop” аs my friend Grаcie cаlls it. It’s so thin we don’t even need spoons, it’s just аs well becаuse we don’t hаve аny cutlery аnywаy. We’re so hungry by the time we get the food we drink it strаight from the mug. Some of the people try eаting with their hаnds but it dribbles down their chins onto their ...

Shorelines has taken over Portumna. The festival has once again filled the town with lots of thought-provoking, quirky, and just plain enjoyable arty-type stuff. The Irish Workhouse Centre has not been spared and we are delighted to be jam packed with delicious art in all shapes and forms. Once again we are all reminded what a great gallery space the workhouse is, and for those of you who wonder how cultural events fit in with the history of this site, here is some food for thought. The workhouse was originally meant to provide help and support to their immediate localities. They failed massively in this duty of care, but we can now readdress this balance using the same site. Heritage spots like ourselves, can and should be embedded in their local communities, providing something for everyone. Let's not keep making the mistakes of the past. Arts are the succour of the soul. The most heart-rending fact I learnt from tour guiding at the workhouse is that paupers, tho...

-Parliamentary & Civil Records- Not all records relating to Irish Workhouses were generated in-house. In fact, much of what survives today are records created by the government.  A great government record is the 1901 and 1911 Census. This census lists all the inhabitants and staff of the various workhouses. Please note that the paupers are usually listed by initials. We can also use newspapers as a surprisingly full source of information about workhouse inmates and staff alike. If you are lucky you may even find information given about a pauper's family or the conditions leading to their admittance to the workhouse. The Freeman’s Journal, 27 August 1864 for example, refers to a man named Howard, commiserating with his fate and his diet, ‘…the horrid stuff miscalled “bread”, on which he was fed was unlike anything with which the paupers were fed before’. [1] In the case of Portumna Workhouse the most useful set of records are those of the civil death registers...

Nenagh Guardian , Examination of Kitty Madden, 27 July 1864 In light of the recent Madden Gathering at the Workhouse, we have been looking at the Maddens admitted here over the years. The most riveting case we have found revolves around Mary Madden and her mother, Kitty.  Mary Madden was born about 1834. She was paralyzed, blind and suffered from seizures.   It was reported that Kitty Madden carried on caring for her daughter until the elderly lady could no longer even take care of  herself. After admission to the workhouse, there are reports of a nother inmate in the workhouse, Judy Solon, taking care of Mary Madden on occasions. However, the story of Kitty Madden and her daughter does not end here. Kitty is mentioned in newspaper articles after appearing as a witness in a workhouse inquiry. The inquiry looked into the mistreatment of paupers and their allegations of substandard food. It was stated that t he Indian meal used in the workhouse to make br...

I am always amazed by the sheer volume of talented artists and crafts people I get to meet as part of stocking the Workhouse Gift Shop. Just when I think I've seen everything, a new product or approach comes along and I have to resist buying one of everything! All the Falling Stones is a series of atmospheric prints by photographer Claire Loader. The prints are fixed onto wooden blocks so that the prints can be free-standing as well as wall mounted. Claire is originally from the 'other' Westport, a coastal town on the South Island of New Zealand. After meeting her husband in China, she took the plunge and moved to Ireland. That was 9 years ago and the New Zealand photographer has been enchanted with Ireland ever since. Like many visitors to Ireland, Claire has never gotten over the amount of castles and abbeys, pure history, often just sitting out in a field somewhere. Immune to steady drizzles, muddy boots and even the odd unfriendly bull, Claire has set about exp...