The Irish Workhouse Museum

Our inaugural plaque, designed and hand-painted by Paula Byrne The Irish Workhouse Museum is officially open! The opening on Saturday 18th was launched by Minister of State Sean Canney TD and marks a new, exciting era for the Irish Workhouse Centre (IWC). The museum is located in a former womens' workroom and houses the centre's collection of artefacts. These range from the shaft of a workhouse cart to the tiny, blacksmith made nails which were used in workhouse construction. The impact of the museum is succinctly described by long-term supporter of the project, Dr. Christy Cunniffe, Community Archaeologist for Galway.   'Artefacts and personal objects can tell big stories. The workhouse tour brings the building to life, and the museum will do the same for their objects. Just look at the pauper shoes we have discovered at Portumna. Nothing expresses the sadness of workhouse children like those reminders of tiny feet.' A case of enamelware and bo...

Nenagh Guardian , Examination of Kitty Madden, 27 July 1864 In light of the recent Madden Gathering at the Workhouse, we have been looking at the Maddens admitted here over the years. The most riveting case we have found revolves around Mary Madden and her mother, Kitty.  Mary Madden was born about 1834. She was paralyzed, blind and suffered from seizures.   It was reported that Kitty Madden carried on caring for her daughter until the elderly lady could no longer even take care of  herself. After admission to the workhouse, there are reports of a nother inmate in the workhouse, Judy Solon, taking care of Mary Madden on occasions. However, the story of Kitty Madden and her daughter does not end here. Kitty is mentioned in newspaper articles after appearing as a witness in a workhouse inquiry. The inquiry looked into the mistreatment of paupers and their allegations of substandard food. It was stated that t he Indian meal used in the workhouse to make br...

I am always amazed by the sheer volume of talented artists and crafts people I get to meet as part of stocking the Workhouse Gift Shop. Just when I think I've seen everything, a new product or approach comes along and I have to resist buying one of everything! All the Falling Stones is a series of atmospheric prints by photographer Claire Loader. The prints are fixed onto wooden blocks so that the prints can be free-standing as well as wall mounted. Claire is originally from the 'other' Westport, a coastal town on the South Island of New Zealand. After meeting her husband in China, she took the plunge and moved to Ireland. That was 9 years ago and the New Zealand photographer has been enchanted with Ireland ever since. Like many visitors to Ireland, Claire has never gotten over the amount of castles and abbeys, pure history, often just sitting out in a field somewhere. Immune to steady drizzles, muddy boots and even the odd unfriendly bull, Claire has set about exp...

In-house Records The workhouse system in Ireland is an often overlooked treasure trove of names, personal histories and local business names. It takes some time to find this information but it is well worth the effort. At the time of their operation, from 1840 up to the early 1920s, vast quantities of records were kept by each workhouse. These records were created by  The Board of Guardians (the group of men in each individual Poor Law Union which formed the administrative core of a workhouse), or the workhouse staff such as t he Master, Medical Officer, and Clerks.  The Board of Guardians This group of men were very interested with statistics and how their Poor Rate was being spent. To this end they discussed tenders for workhouse supplies and posts within the workhouse, salaries of staff and the suggestions of Poor Law Inspectors. From the minutes of the Board of Guardian meetings, we have a roll call of the board itself and there is evidence that the c...