Dark Shadows Exhibition



The work of Kieran Tuohy has to be seen to be believed. Perhaps it is the fact that his large sculptures are carved from single pieces of bog-wood,  or that the natural cracks in the petrified timber are as vital to the pieces as Kieran's own hand, or that the striking gleam of bog-wood is just so hard to photograph. Whatever the reason, everyone who visits the Dark Shadows Exhibition comes away ineffably changed.

The impact of Dark Shadows is even more incredible given the fact that the Famine, or as many people now call it The Great Hunger, is not new to us. It is one of the nation's most defining events, a cataclysm drummed into us at school and reinforced by having Irish communities around the world. It is not for love of travel alone that the Irish Diaspora is proportionately one of the largest in the world. So to mount an exhibition which solely focuses on The Great Hunger would seem a risky venture. That is, until you are confronted with the sculptures themselves.

On one of many days spent sitting among the pieces, handling tears, frightened children and a stream of "How could this have happened?", I realised just what it was that made the exhibition so moving. This was not the past dragged up to satisfy some urge to depict a trendy topic but a living, breathing, dying hoard of starved and brutalised people. I thought of this while sitting alone in the exhibition space and the hair raised on the back of my neck. They are actually here, I thought to myself. All the people who died so needlessly are here in this room, with me. It was the first time that all the facts and figures became real. I didn't care about the hows and whys, or even who had done what. All I could think about were my sister's two little girls and what it would be like if they didn't have enough to eat and there was nothing that I could do about it. The black, unblinking figures of the starving, stared at me and all I could do was stare back, helpless. And that is why the work of Kieran Tuohy has to be seen to be believed.

By Elizabeth Carter

Comments

Post a Comment

Popular posts from this blog

The Finnish Famine Exhibition

Image
-The Finnish Famine-    An Interview with Dr. Andrew Newby on his current exhibition at The Irish Workhouse Centre How did this exhibition come about? In 2012 I was pleased to receive an Academy of Finland Award to work on a five year project to compare the Irish and Finnish famines. This exhibition came out of that project. It travelled to Ireland to be displayed in The National Famine Museum at Strokestown but then migrated to the National University of Ireland, Galway. Just when I thought the exhibition had to return to Finland, I was delighted when the opportunity arose for it to be displayed at The Irish Workhouse Centre. How did you get involved in researching the Finnish Famine? I first heard about the Finnish Famine in 1997 from a Finnish Student. Being Irish and specifically a Mayo man, the topic of famine struck a chord with me. The fact that 1997 was the anniversary of Black ‘47 meant that famine research was already on the radar. I visited Fin...
Read more

Wretched Old Shoes

Image
Two original items from Portumna workhouse, one is a child's shoe & the other a man's boo t. At the Irish Workhouse Museum we are delighted to have several specimens of pauper shoes. However shoes were viewed as a troublesome topic by workhouse management. Some workhouses ordered boot parts and had the paupers assemble them. Others bought them in ready made. Whomever supplied the shoes, it is clear that covering the feet of the poor was not a priority. In Co. Galway alone, six of the ten workhouses were in dispute with the Poor Law Commissioners in England over shoe and stocking provision. The result was newspaper descriptions like the one below: stockingless and  h is feet   were scarcely protected by wretched old shoes   (The Nation-Saturday July 30, 1864) The old pauper described in this article was alleged to be suffering from exposure due to his treatment at Portumna workhouse. A mere six months later, Rev. P. Donalan R.C.C. alleged two women nam...
Read more

The Workhouse in Fiction

Image
Image from the 1968 movie Oliver! ‘Please sir, can I have some more?’ Most of us know this iconic line from the 1968 film version of Oliver! The quote has embedded itself in pop culture, cropping up in memes, advertisements, comedy sketches and cartoons. However, how many of us know that the line is a criticism of the meagre food quantities supplied to workhouse children? In fact, Charles Dickens wrote Oliver Twist as a rallying cry against child poverty and the failure of the workhouse system. He based this view on his first hand observations as a newspaper reporter. What he saw went into his books and shocked  his audiences. He was accused of gross exaggeration and even outright fabrication. His rebuttal was the tell people to go see for themselves, which they did. What they witnessed was all the proof he needed. Before we leave Dickens, it is interesting to note a slight connection with Irish workhouses. Oliver Twist was first published as a serial 1837–39. This peri...
Read more